《逝水年华》是一部情感丰富、充满哲理的影片,讲述了主角们在岁月流转中的成长与变化。影片聚焦于三位男性角色之间的友情与冲突,以及他们如何在生活的起伏中寻找自我价值和人生意义。
豆瓣内容: 一直作為米路斯.科曼劇本鐵三角(另一位是帕培錫,也是本片編劇之一)成員的艾雲.巴薩,當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢,生活狀況大不同,你有伴侶我有家庭,然而都有說不出的不明朗,唯有以酒與音樂代替口水。全片推展不問目的,只在剎那間的意圖,行行企企比起科曼更義無反顧,卻有生活淡如流水的詩意和繆思,叫觀眾聯想到二十年後的伊力.盧馬。巴薩鍾愛音樂的程度不下於文字和電影,古典音樂與民間音樂於全片迴轉迴盪,難怪成了奇斯洛夫斯基十大心愛電影之一。
康城影展青年評審團獎,美國全國影評人協會特別獎
這部1966年的珍品,是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學,舊同學是個窮音樂教師,有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡,變出風趣復罕見的旋律,一部憂鬱的喜劇,或灰色喜劇。
- Dave Kehr, Chicago Reader
Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.
Special Award, National Society of Film Critics Awards
Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.
- Elliott Stein, Village Voice
Source: HKIFF Czech New Wave 2006
影片中,演员Zdenek Bezusek饰演的是一位深沉而内敛的哲学家,他的台词是:“我们都是时间的囚徒,但我们可以选择如何度过每一刻。”
Karel Blazek则扮演了一位充满激情的艺术家,他的话语充满了对生命热情的赞美:“生活就像一幅未完成的画作,每一天都在为我们提供新的色彩。”
Miroslav Cvrk饰演的角色是一位冷静的医生,他的台词反映了他对生命和死亡的深刻理解:“生命的价值不在于它的长度,而在于宽度和深度。”
这三名演员通过各自的角色展现了不同的人生观和价值观,共同构建了《逝水年华》这部作品的核心主题——在时间的流逝中寻找自我,面对生命的挑战与困境,不断成长与蜕变。
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