造物的奇迹HD中字

• HD中字

《造物的奇迹》是一部以19世纪末德国社会为背景的电影，主要讲述了主人公们在面对生活困境和道德抉择时的内心挣扎与成长。影片通过细腻的情感描绘和深刻的社会批判，展现了人性的光辉与阴暗面。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

在《造物的奇迹》中，Margarete Schön饰演了温柔而坚强的母亲Käthe，她的一句台词是：“在这个世界上，没有什么比爱更能抵抗生活的残酷。”

Theodor Loos则扮演了一位深陷困境的工厂工人Max，他的话语揭示了底层人民的痛苦与无奈：“我们只是被命运摆布的棋子，无论怎样挣扎都难以改变现状。”

Paul Bildt的角色是一位充满智慧和仁慈的神父Father Wilhelm，他的台词表达了对人性的理解与包容：“每个人心中都有一座灯塔，照亮他们前行的道路。”

这些演员通过精湛的演技，将各自角色的性格特点与情感世界生动地展现在观众面前，使得《造物的奇迹》成为一部引人深思的艺术作品。