飘零双燕HD中字

• HD中字

《飘零双燕》是法国电影大师克劳德·勒鲁什的一部作品，它以1960年代的法国社会为背景，讲述了两个年轻人在巴黎的冒险与爱情故事。影片通过细腻的情感描绘和对社会现象的深刻洞察，展现了那个时代的独特风貌。

　　Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.
　　Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

以下是三位演员及其台词：

1. 伊莎贝尔·于佩尔（Isabelle Huppert）饰演的艾米莉：「我想要的只是一份平静的生活，但命运总是让我陷入混乱之中。」

2. 布鲁·欧吉尔（Brigitte Fossey）饰演的苏菲：「爱情就像一场赌博，你永远不知道结果如何，但你总得去尝试。」

3. 阿丽尔·朵巴丝勒（Arlette Zuber）饰演的玛丽：「在这个世界上，我们都是孤独的旅人，寻找着属于自己的归宿。」

这些台词反映了角色内心深处的矛盾与追求，也揭示了《飘零双燕》所探讨的主题——在动荡的时代背景下，个体对爱情、自由与自我实现的渴望与挣扎。