极度恐慌1983HD中字

• HD中字

《极度恐慌1983》是一部充满悬疑与惊悚元素的西班牙电影，讲述了在一个偏远小镇上发生的一系列神秘事件。随着剧情的深入发展，一个古老的诅咒逐渐浮出水面，给小镇带来了前所未有的恐慌。

　　PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.
　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.
　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string, being a real malicious bastard, and for the umpteenth time in his career, playing two roles in a one film.
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保罗·纳西（Paul Naschy）饰演的角色是一位拥有丰富历史知识的学者，他说道：“在历史的长河中，总有一些秘密被遗忘，但它们不会消失，只会等待时机再次苏醒。”

朱莉娅·萨利（Julia Saly）扮演的角色是一名勇敢的记者，她在寻找真相的过程中说道：“真相就像迷宫中的光点，即使黑暗重重，也总有办法找到它。”

洛拉·加奥斯（Lola Gaos）的角色则是一个被诅咒所困扰的年轻女子，她悲叹道：“命运的齿轮一旦转动，就再也无法停止，除非我们能找到打破它的钥匙。”

在这部电影中，保罗·纳西饰演的学者是推动故事发展的关键人物，朱莉娅·萨利通过她的调查揭开了一连串的谜团，而洛拉·加奥斯的角色则是整个故事的情感核心。三人的角色相互交织，共同引领观众探索这个被诅咒的小镇背后隐藏的秘密。