《从今天到明天》是法国电影大师让-吕克·戈达尔于1967年执导的一部前卫艺术电影。影片围绕着一个虚构的电视节目展开,通过一系列的片段和对话,探讨了时间、记忆、爱情以及现代社会的荒诞与矛盾。
豆瓣内容:Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
1. 演员:让-皮埃尔·利奥德(Jean-Pierre Léaud)饰演主角马塞尔,他说道:“我想要的只是一点点自由。”
2. 演员:玛丽昂·歌迪亚(Marion Cotillard)饰演一位电视主持人,她感慨道:“我们都是时间的囚犯。”
3. 演员:阿兰·罗伯-格里耶(Alain Robbe-Grillet)以旁白形式出现,他沉思道:“我们生活在一个幻象的世界里,却试图寻找真实的意义。”
《从今天到明天》通过独特的叙事方式和深邃的主题,对观众提出了对现实、时间和自我认知的深刻反思。这部电影不仅挑战了传统叙事结构,更在艺术电影领域内独树一帜,成为后现代主义电影的经典之作。
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