开麦拉狂想曲HD中字

• HD中字

《开麦拉狂想曲》是一部探讨电影与真实界限的黑色幽默电影，通过四位主角的视角，揭示了电影制作过程中的种种荒诞与现实的差异。

　　A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.
　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.

史蒂夫·布西密饰演的导演杰克，对电影有着近乎偏执的热情：“电影就是一切，它能创造一个世界，让观众暂时忘却现实。”

凯瑟琳·基纳扮演的女演员莉莉，面对角色和自我之间的冲突时，她无奈地感叹：“有时候，我甚至不知道自己是在表演还是在生活。”

德蒙特·莫罗尼所饰的制片人汤姆，则在追求完美与成本控制之间挣扎，他坚定地说：“电影不是艺术，它是商业，我们需要利润。”

在这个虚构的故事中，他们四人的角色交织在一起，共同探索电影创作背后的复杂人性与社会现象。《开麦拉狂想曲》通过这四个截然不同的角色，展现了电影制作的多面性，以及其对个人生活的影响。